Artists in the Pandemic

Sponsor: Baobichen Foundation

Curator: sfmoa, San Francisco Museum of Art

12-2021

The Winge of Freedom of Arts
Break through the pandemic
On the Cloud
the Vivture exhibition
From reality of unique Creation
Smoothing the heart and spirit
Relieve depression and tension
Art has no boundaries
Appreciation of interactive wandering

藝術自由的翅膀

衝破疫情

在雲上

虛擬畫展

真實獨創

心靈得以慰籍

舒緩鬱悶緊張

藝術本無界

賞析互動徜徉

Kai Feng Deng I was born in China and grew up in China. I studied fine art at a Chinese art school After I came to the

United States, I re-learned different art subjects at the Savannah College ， Art and Design in the United States

I graduated from painting and fiber majors, and also studied Major in Television Digital Media Art. Both traditional art and abstract art are practiced.

I like to use various art media to express my artistic ideas.

Shown here are some exploratory experiments that I have made in art using the medium of cloth and dyeing.

The resources of my inspirations are from the nature. I would like to use some abstract points, lines and shapes

to form abstract designs that express my personal passion and aesthesia to the natural world.

This fabric works are different with traditional techniques of painting. I can use the traditional

design elements, such as points, lines, and shapes to design my works, but the results are very

different because the technology and the material are different.

I want to explore the expressions in the different fabric with different techniques of dye and painting.

鄧開鳳從中国的艺术学院畢業后，来美国的萨凡纳艺术设计学院重新学习不同的艺术学科，

毕业于绘画，纤维专业，也学习过电视数码媒体艺术专业。传统艺术和抽象艺术都有所实践，

喜爱用各种艺术媒介表达自己的艺术理念。这里展示的是自己在用布和染的媒介在艺术上作

的一些探索性的实验.

Title: DancingMedium: Batik on velveteen Size: 13″ x 13”Subject: Express a visual rhythm

标题：花 , 媒介：棉布上的腊染，尺寸： 13‘’x 13” 主题：表达一种纹理上的视觉美

Title: Ancient Legend Medium: Stamp on silkSubject: It expresses ` the legends on the ancient murals

标题：中国古老的传说, 媒介：丝绸上的拓印，尺寸： 13‘’x13”主题：表达的是中国古老壁画上的传说

Title: Moon light Medium：Wax painting on golden velvet Size: 13”x 13”
Subject: Express a soft and warm mood

标题：月光, 媒介：腊画在金丝绒上，尺寸： 13‘’x13”主题：表达一种柔和温馨的意境

Tita l； DramMedium: Printing and Day on fabricSize: 13”x13”

标题：梦想 , 媒介：染和印在布上，尺寸： 13‘’x13”主题：表达了梦中的感觉

Title: DancingMedium: Batik on velveteen Size: 13″ x 13”Subject: Express a visual rhythm

标题：舞 , 媒介：平绒上的腊染，尺寸： 13‘’ x 13‘’ 主题：表达一种视觉上的节奏

Grace Huang

For decades, I worked as a licensed tenure teacher at a public high school in the United States.

I use Chinese painting materials and techniques to deliver my subjects. I positively participated in many art exhibitions in different countries.

My novel “Nanning stories” and novella “Finding Magnolias” got award from literature society in China. Other Novellas such as “Red and White Poppy”, “Pigeon City”, “The Year of the Butterfly” as well as articles and poems are published in American and Chinese magazines.

黃雅純，筆名玄黃

任職美國公立高中數十年,

畫作以中國畫材料為主，表達以現代化為主，參與各地畫展。

作品有長篇小說《南寧舊事》, 中篇《尋找玉蘭花》、《紅白罌粟花》、《鴿城》，《那年，蝶年》等。《尋找玉蘭花》獲‭ 2011 ‬年中國《小說選刊》全國筆會中篇小說壹等獎，作品集結成書《紐約麗人行》，‭2012 ‬武漢長江出版社發行。

散文和詩持續發表於美國，中國各雜誌。

Rong Lyu, studied under a Qing royal court painter heir since young age. She continued her art education at Stanford University. Her artworks have been exhibited, awarded and collected in various museums, art galleries and city halls in the US.

She received Art Contribution Award from US Congress Representative in 2020.

Painting as a carrier to show the spiritual core, especially in the epidemic era, the exploration of themes such as isolation, fear, self-mastery and detachment from life and death is more relevant than ever.

[2020 Epidemic Series] [Fortification] [Crane Habitat Loss] all take the present as the origin, starting from the themes of life, ecology, ethnic groups, social phenomena, etc., to free ideology from grand narration and try to resonate two-dimensional painting in multi-dimensional thinking.

吕蓉

自幼师从清宫廷画家传人，后进修于斯坦福大学艺术继续教育。其作品在美国各博物馆、美术馆和市政厅多次展出、获奖及收藏。2020年荣获美国国会议员颁发的艺术贡献奖。

绘画作为展现精神内核的载体，尤其在疫情时代，对隔离、恐惧、自我通达和超脱生死等主题的探索比任何时候都更具相关性。

【2020疫系列】【设防】【鹤失棲地】

当下为原点，从这些生命、生态、族群、社会现象等课题出发，将意识形态从宏大叙事中剥离出来，试图将二维绘画共鸣于多维思考中。